any photographers

Joel Sartore—Wildlife Lessons 7–8 any photographers focus on wildlife because they love nature, but photographing wildlife is also a chance to make the world a better place. Many species are on the decline; by some estimates, we could lose up to half of all species by 2100. It’s tragic to lose any species to extinction, and such losses can have serious repercussions for our own survival. Photographs and photographic projects, such as the Photo Ark, can help illuminate this problem and save many endangered animals on our planet. Iconic Photographs An iconic photograph is one that stands the test of time—perhaps even answer is: with thought and planning. You want to go beyond the obvious in for example. You want photographs that tell a story.
And you can’t do that by just getting off an airplane in some exotic location and looking for animals. the most of the time you have on site. The three key elements of photography—light, composition, and moment— must come together to make an iconic photograph. Look, too, for anything that takes a scene beyond a simple, straightforward picture to something iconic photo is not necessarily about using gear but about using your mind. Consider, for example, a series of shots of wolves. You can take a straightforward picture of a wolf, a more interesting photo of a large wolf pack, or an even more imaginative shot of feeding wolves taken with a remote camera buried in a deer carcass. All these pictures speak about wolves, but they’re all done in different ways, and they all require thought. Many nature photography magazines and books are full of the same standard pictures: tight shots taken with a long lens of, say, bears in the water. If those kind of straightforward pictures are what you like, by all means, shoot them. But photography is also about how you think—how you see the world and perceive things. You may get more interesting images if you try to stretch your imagination and creativity. Telling a Story in Pictures When you’re creating a story with pictures—even if it’s only a few images— make sure it has a beginning, a middle, and an end.
Try a long shot that sets your story with shots of the surroundings, including other people who have come to view the wildlife. And don’t forget to try different techniques in your photographs; use a remote or put the camera on a tripod and try various time exposures. Using Remotes with Wildlife Photographing animals often requires different kinds of remote cameras. Some remotes operate with a simple cable release, while others are radio controlled. You can also set up a camera trap, which is a location with a remote camera that sends out an infrared pulse or beam. The camera and its own picture. Remotes are useful for showing animals up close but still that you don’t need expensive remote systems to get a good picture. Many times, you just need to be in place with a camera and ready to shoot. Finding Subjects photograph. Look for wildlife rehabilitators in your area; these are facilities that care for wild animals that have been injured or orphaned. Be sure to visit the nursery at rehabilitation facilities. Museums and nature centers may also offer access to wildlife. Sometimes zoos or rehabilitators have animals that are habituated to humans, such as birds that have been used in bird shows. You can get much closer to these animals to photograph them without startling them or scaring them away. With the help of a handler, you can often take your time and light the scene carefully.

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